ALA.NI deploys her always exquisite voice to capture the varying emotions that emerge throughout the festive season. As we’ve come to expect from ALA.NI, her songs are beautifully spacious, with sparse instrumentation (little more than piano and percussion) allowing her affecting vocals and swooning harmonies to unveil their full majesty. This is the second instalment in ALA.NI’s ‘Christmas’ series after ‘Vol. 1’ was recorded during lockdown and released in 2020.



ALA.NI says, “I won't lie. I do struggle with Christmas. The over consuming part of it is what I don't like, but the coming together of family, luxurious food and fun times always sucks me in. I try to not get caught up in the Christmas hysteria but I always end up surrendering, to some degree, in the end.”



That attitude of sentimentality (just about) overcoming cynicism informs the EP’s opening song, ‘Christmas Cheer’. You perhaps wouldn’t notice its “bah humbug!” spirit on a first listen, its time-honoured take on seasonal songs initially masking its witty lyricism (“Income’s low, prices dear / But all’s fine with Christmas cheer”). Yet by the time its sleigh bells drift into play, it’s clear that even ALA.NI will eventually succumb to the joys of the season.



The EP features two other new compositions; current single ‘You Broke My Heart (On Christmas Eve)’ possesses a timeless grace that makes it feels as should been a part of the Christmas songbook for decades, but what other seasonal favourite has such black-humoured lyrics such as, “Your Rolex present I will keep / Or better yet, I’ll smash it up”? But ultimately the EP ends on a high, with ALA.NI presenting ‘Now I Believe’, a sweet story of finding love at first sight after reluctantly attending a Christmas party.



‘Christmas Vol. 2’ is completed by ALA.NI’s takes on two classics: Joni Mitchell’s ‘River’ and Elvis Presley’s ‘Blue Christmas’.



The EP was produced by Rob Shirakbari, who is best known as the long-term musical director for Dionne Warwick and Burt Bacharach and, most recently, as producer and co-writer for Rumer. It was recorded across sessions at Abbey Road, at Rob Shirakbari’s own studio, and at ALA.NI’s home studio in Paris.